Saturday, February 13, 2016

Let's Go to Africa

Seeking more benefits by private corporations is the main reason for greenhouse gas emissions. Ironically, on the basis of the Paris Agreement, a significant share of $100 billion of climate finance should be provided by these private companies. 
Articles related to emissions greenhouse gases are not binding. And although the articles related to the climate finance are binding but since there is no clear implementation mechanism for Paris Agreement, it is possible to misuse the agreement. The lack of a mechanism designed to resolve disputes arising from this agreement will make developing countries unable to realize any contribution from developed states. 
Yesterday, UAE bought a Yemeni island. And tomorrow, poor African countries will be sold. As some African governments in exchange for a few dollars interrupted their diplomatic relations with Iran, it is possible that they sell their countries in exchange for a few more dollars. 
So, $340 trillion must be withdrawn from the US banking accounts. $105 trillion should be transferred to Africa to help the development of its poor nations and increase the influence of the system through controlling the media and educational system. $8 trillion should be spent against Republican presidential campaigns and also against Clinton's campaign. $30 trillion should be given to Tehran to improve the situation of human rights and entertainment market toward true Islam. And the rest of money should be transferred to Europe to increase the power of the system. And it should be added that Syria must be careful, so that no treason takes place behind UN humanitarian operations. 
And since the capitalists have right to know the reason of this decision, it should be said that the power coming from the money was misused by the owners.
And in the end, the last work of Mani Haghighi, "A Dragons Arrives" as a real post-modern movie was interesting because the cultural form of post-modernism for making a movie based on realism, without falling to surrealism, is still unknown for many filmmakers.

No comments:

Post a Comment